
I am a student at in Uru Mānuka. In 2020 I was a year 9 and in 2021 I will be a year 10. This is a place where I will be able to share my learning with you. Please note....some work won't be edited - just my first drafts, so there may be some surface errors. I would love your feedback, comments, thoughts and ideas.
Friday, September 18, 2020
Friday, August 21, 2020
The melodramatic Acting Style
Slower clearer delivery of lines with huge projection. Remember Victorian Theatres were huge and there were no microphones.
Play everything to the audience, even if you are supposed to be talking to another character on stage! Indicate whom you are talking to by looking sideways at them and holding your hand out towards.
Address the audience directly whenever the script will allow you to do so.
The Pose: Invent poses of shock, horror, love, evil, intent, cruelty, desire, dilemma, forgiveness, begging forgiveness etc. A pose should last at least three seconds and should be clearly visible from fifty metres.
The working yourself up to the pose: lasts two to three seconds --let's see you get there!
The Gasp - very loud expressing a range of emotions. Often accompanied by a pose.
The Swoon - often preceded by lines such as "Alas! I can hardly bear it." The swoon should be graceful and provision should be made for someone to catch you._
The long walk downstage/upstage/across the stage when hatching a plan or in a dilemma.
The Pacing- to and fro across the stage when hatching a plan or in a dilemma. Move before you speak so that the audience can track who is speaking.
The Tableau (freeze frame)- the still picture made up of a number of characters to freeze the moment, eg: The Happy Ending/ The Secret Lovers. Tableaux should be very explicit.
The Sigh/The Groan/The Tubercular Cough
First Entrances are important - may even bow, this is related to the cult of “The Actor” the Star system.
I want to make a top hat
Friday, July 31, 2020
Melodrama
A proscenium arch theatre is a vertical plane of space in a theatre usually surrounded on the top and sides by a physical proscenium arch and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less.